Jean and Sheryl are getting married. He is Afrikaans. She is Jewish. Their families are tense and Lukas, the best man - has been on a drinking spree and forgotten to confirm the band. To complicate matters more, the ancestral ring has been delayed because Sheryl's relatives are lost en-route to the wedding.

Une professeur d'art dramatique persuade un fermier cynique de la préparer pour un rôle d'héroïne de guerre. En échange, elle propose de s'occuper du concert annuel donné à la ferme.

Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Carezza et Sorriso, frères très différents l'un de l'autre et en querelle depuis l'enfance, vont devoir mettre de côté leurs polémiques pour récupérer le légendaire Dune Buggy, ayant appartenu autrefois à leur père bien-aimé et aujourd'hui volé par Torsillo, un spéculateur immobilier sans scrupules, et son fils Raniero. Ce faisant, ils forgeront une alliance inhabituelle avec une communauté de cirque, dirigée par la belle et dangereuse Miriam et menacée par les sales affaires de Torsillo. Entre courses-poursuites en ligne, combats mémorables et repas délicats à base de bière et de saucisses, les deux frères parviendront-ils à retrouver leur voiture adorée ?

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Hazel runs a beauty salon out of her house, but makes extra money by providing ruthless women the oppurtunity to perform hit jobs. L.T. is a parasite, and contacts Hazel looking for work after he runs out of money. She is reluctant to use him for a hit, since she prefers using women, but decides to try him on a trial basis. Meanwhile, the cop she pays off wants an arrest to make it look like he's doing his job, but Hazel doesn't want to sacrifice any of her "associates". The sleazy side of life is explored in this delightfully dark and deadpan film.

Une journée dans la vie de John Lennon, bien vivant dans la ville de New York d'aujourd'hui. L'ancien Beatle se dispute avec un agent de sécurité, compatit avec son meilleur ami pendant le déjeuner et contrarie un tyran.

An American loses all his money and finds himself stranded in England. He finds hope when he meets a female smuggler who has brought jewels into the country inside a teddy bear, but unfortunately, things quickly get out of hand.

Kathy Tran and Agnès Gaudreau work as auto mechanics at Bâtiment 7, a collective-run space that facilitates the integration of minorities. We get to know them through this inspiring place where they’re truly able to be themselves.

This animated comic goes back in time to explore the events that spurred the transformation of mild-mannered John Kramer into the monstrous Jigsaw.

A short animation by Haruka Suzuki based on the poem "Asa" by Ikuko Shirakuma

This documentary is featured on the DVD for Captain Blood (1935), released in 2005.

Dr I.C. Spots est un sorcier africain sur le point de préparer une potion qui a besoin comme un de ses ingrédients d'un lapin.

Le lieutenant par intérim Horatio Hornblower capture le navire français Le Rêve. Sur le HMS Indefatigable, le capitaine Pellew ordonne à Hornblower de faire naviguer sa prise vers Portsmouth avec des dépêches extrêmement importantes, et de les détruire si nécessaire pour les garder hors des mains de l'ennemi.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

3 generations of filmmakers tell a story about Brussels, 3 stories settled in the rue Saint Quentin, a forgotten street somewhere in the shadow of the European administration area.

Meet the man widely regarded as the greatest writer in the English language, called England’s “national poet”: William Shakespeare.