Wealthy and ill Petr Kornel (Karel Hasler) is not pleased with the carousing lifestyle of his nephew. He stops supporting him financially and demands that he change his name. Out of gratitude Kornel bequeaths a substantial sum of money to his nurse Alice (Adina Mandlová) with the condition that she marries. Petr Suk (Hugo Haas), as the nephew is now named, visits the doctor. In the waiting room his X-ray is mistakenly switched with one of another patient's. On the basis of this he presently learns that he is seriously ill and has only one day of life left to him.

A grandson of a recently deceased millionaire mistakes a beautiful female disc jockey for her aunt, who once dated the grandfather.

"Anyone can become a detective."

Follows renowned cave explorer Bill Stone as he and his team push the boundaries of what has ever been done before as they attempt one of the greatest achievements of modern exploration — to set a new world record by venturing into the bottom of what is thought to be the deepest cave in the world.

Using images from my childhood and phone calls from key people in my life, we explore my particular sense of what is home to me. The home is not a place but a sensation produced by many more common factors that characterize our generation.

Los Angeles is depicted in 35 stationary shots, each 2 1/2 minutes long, in this non-narrative film, part 2 of Benning's "California Trilogy".

How Are You Feeling? by David Shrigley

How Will A Middle Aged Man Cope With The Loss Of His Ex Partner When Strange Co-Incidences Begin To Happen?

Alaxander, a faithful henchman of Peter, does anything ordered by him. In one confrontation with the enemies, Peter orders Alaxander to Kill Anu, an innocent girl. On contrary, he decides to save her.

De Budapest à Dresde en passant par Jérusalem, l’extraordinaire épopée de deux générations de femmes déterminées à se libérer de l’horreur d’Auschwitz et de blessures transgénérationnelles tenaces.

Thirteen dinners of a Chinese migrant worker's family over the course of fourteen months. The film portrays a series of random occurrences. Joys, frustrations and the struggle for survival. The meals unfold in real-time through thirteen static, long takes. Each take captures with vivid detail the reality of the relationships between the different family members. As the seasons unfold, so does time and the echoes for better working conditions penetrate the frame. Issues such as the one-child-policy and the possibilities for better wages weigh heavily on the minds of the three-generation family.

A young man, to ensure that he will pass the high school maturity test convinces his girlfriend to help him steal the answer sheets.

Kamar est danseuse et vit à Ramallah, en Cisjordanie. Peu après son mariage, son mari est incarcéré pour une sombre histoire de terres que le gouvernement israélien veut récupérer. Devenue femme de prisonnier, Kamar voit sa vie désormais rythmée par ses visites quotidiennes à la prison. Jusqu'au jour où elle décide de recommencer à danser. Elle rencontre alors Kais, un chorégraphe palestinien. Entre eux deux, des étincelles jaillissent...

La petite Poly suite au décès de sa mère n'a plus goût à la vie. Pour son anniversaire, elle reçoit de son père un cadeau qu'il espère lui redonnera du baume au coeur, l'Étalon noir. Félcher un palefrenier à la morale douteuse, fera tout pour se débarrasser d'Étalon noir qui n'a de cesse de lui mettre des bâtons dans les roues.

A solitary man works in a tall office building. The only moment in his drab life that's out of the ordinary each year seems to be opening the birthday card and gift from his mother. Usually it's a tie, but one year it's an accordion. It goes into the closet with his many ties. A year or two later, he discovers what happens to the papers he processes every day. His discovery sends him first to the building's top floor, then to his closet.

In a café in Paris, two friends—one single, the other in an “open” relationship—catch up on their lives and loves. In this animated short where the real story plays out in what’s not said, French cartoonist Aude Picault (Moi je) delivers a delightful ode to the sometimes-complex amorous relationships of modern times. She also takes an affectionate but penetrating look at friendship between women—and the jealousy, envy or judgment that can lurk behind the prettiest speeches.