Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

Deux adolescents dans une voiture ; la mer en perspective. Une nuit pour se confronter à leur désir naissant.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

People est un film tourné en huis clos dans une maison atelier aux portes de Paris et met en scène une dizaine de personnages. Il repose sur un entrelacs de scènes de plaintes et de scènes de sexe. La maison est leur espace commun, mais la question de la propriété est distendue, ils ne l’habitent pas tous de la même façon. Au fur et mesure des séquences, nous ne retrouvons pas les mêmes personnages mais les mêmes relations d’interdépendance. Par l’alternance entre complainte et sexualité, communication physique et verbale sont mises au même niveau. Le film déconstruit alors, par sa structure répétitive, nos mythes relationnels.

A woman is taking an old elevator up to her new apartment that she has just moved into. The oddly old and ringing phone inside the cabin is freaking her out. Over the line she is told about nightmares that are about to become true.

For Yogi, assaults have become a daily routine, so much so that the sight of his latest victim, a heavily injured woman slumped in her car, leaves him untouched. But then he spots her baby on the back seat. Without a second thought, Yogi takes the completely defenseless creature along in a basket. Not even a machine gun pointed at his forehead could have had a stronger impact on his life; he feels threatened and seduced at the same time.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

If hugs are tangible why am I hugging the void

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

A silent French film depicting the story of the nativity.

A film made in honor of the families of this world with great phrases from great people.

Horror novelist Luke Sinclair retreats to a small town to finish writing his latest book. A young woman is murdered in the woods nearby, in circumstances similar to those in his bestselling novel, "Reaper". Faced with increasing pressure from a suspicious local sheriff, as well as the advances of a female FBI investigator, he must uncover the killer before he or she strikes again, further implicating him in the crime.

Based on the best selling Camino memoir of the same name by Bill Bennett, the film documents one man's journey along the Camino de Santiago, searching for meaning, not realizing it was right in front of him, one step at a time.

Confortablement installée dans un compartiment de première classe de l'express Maine Ocean, Dejanira somnole. Le contrôleur survient et tente de lui expliquer qu'elle est en infraction, mais Dejanira ne comprend pas ce qu'on lui demande malgré l'intervention d'un second contrôleur. Mimi De Saint Marc, une passagère, avocate de métier, se rendant à Angers pour défendre un de ses clients, le marin Petigas, prend fait et cause pour Dejanira.

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.