A group of women from Leeds share stories of poverty through eight everyday objects and the community initiatives they've launched to fight the shame that surrounds it, in a bid to start a dialogue with policymakers.

The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

En 1598, la guerre d'Imjin, qui a duré sept ans, touche à sa fin et les envahisseurs japonais tentent une dernière offensive sur Joseon. L'amiral Yi Sun-shin prend la tête d'une armada marine avec la Chine des Ming, dans le but d'en finir avec l'impérialisme japonais. Les forces en présence s'affrontent dans le détroit de Noryang, là où la mer est la plus meurtrière et où l'amiral Yi livre son ultime bataille.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

A week in the life of Claudia e Francesca and all their friends.

Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Lucien Knops (Nand Buyl) is a grumpy old man. When his wife passes away, he moves in with his daughter Gerda. It doesn't take long before tensions rise and Lucien moves back into his old house, claiming that his new lover will move in with him. Gerda is worried that she will miss out on her father's inheritance; even more so when an interesting new woman moves in next door to Lucien.

Trapped in the web of ethnic strife in the brutal underbelly of Karachi, Gardaab is a tale of two lovers' journey, as they struggle to break away from the unending cycle of violence that haunts the metropolis.

A documentary telling the story of the newly reformed Take That. Global mega star 'Robbie Williams' rejoins his former band mates for the first time in over 15 years to record Take That's sixth studio album 'Progress'. 'Look Back, Don't Stare' gives a brutally honest account of how Williams return to the group has affected the other four members and shows how the pressures of fame and the relentless power struggle for artistic leadership between Williams and Barlow contributed to the break up of one of the best selling bands of the 90's.

A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.

Les membres des Doors reviennent sur l’histoire de "Morrison Hotel", l’avant-dernier album du groupe, fruit d’une période d’heureuse créativité après les tempêtes de l’année 1969.

Dr I.C. Spots est un sorcier africain sur le point de préparer une potion qui a besoin comme un de ses ingrédients d'un lapin.

A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.

Six college friends blowing off steam on a camping trip, find themselves caught up in a cat and mouse hunt with an Alien monster. Not knowing what to do or who to trust, they struggle to protect themselves. Reluctantly, they join forces with another, seemingly friendly, alien, Ava, who orbits the Earth and appears to them in the form of an avatar. Having only one chance at stopping the monster, they must race to locate and repair the Ava’s earth sent robot, before it slaughters them one by one.

Clark can't read words, but he can read people. Can his special intuition guard him from the one obstacle he must overcome?