Borrowing its title from a literary genre, the film acknowledges the indeterminacy of both fiction and the self. Noir elements are reduced to deadpan gestures under bright California sunlight. Field recordings made in New Zealand are heard as women speak with each other about motherhood, abortion, breakups and anxiety. A civil rights parade moves slowly down a street. Bodies appear in states of weariness, injured or at rest, while songs by Irma Thomas and Goldberg evoke the passing of time and an uncertain future.

A group of friends try to defeat an evil king, and meet some quirky characters along the way.

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

You are following the lives of a family who have chosen not to take the microchip implant but instead live a life with no home and consistently on the run from the one world government known as the F.A.T.H.E.R.

On a dark and stormy night, Death pays a visit to a very old lady and her dog.

Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères Film Festival which took place from 1965 to 1983. It was at that time the most important in France just after the glamorous Cannes Film Festival and a friendly place to discover young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax before they became a legend for the art-house film amateurs. Hyères was a vivid space for passionate debates, incredible polemics and above all surprising encounters. In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared in 1983, it is not only because of internal and political conflicts but also for an unfair competition with Cannes. The « Perspectives » section at Cannes, widely inspired by Hyères, was attracting those same young talents discovered there. My personal history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was in charge of the “Cinéma Différent” section.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

It is the 30th millennium. Humanity is caught in the midst of a fratricidal war between those of the meta-human Space Marines who are loyal to the Emperor, and those who no longer are. The once noble warriors of the XII and XVII legions are cutting a bloody path throughout the realm of Ultramar, committing boundless atrocities out of sheer spite and hatred for their cousins belonging to the XIII legion. In this episode we gain a glimpse of the aftermath of the battle on planet Sathus, and the living nightmare taking place on a starship manned by traitorous legionaries, as they bide their time on the approach to planet Calth.

Patients in a psychiatric clinic are placed in a special home in the city, where they have access to the outside world. Another change to their previous situation is the fact that two female patients come to live with them.

A spunky young bellhop investigates the murder of a hotel guest.

Drama following the tensions and romantic crises among a group of friends over the course of a single wedding day.

À Paris, dans le quartier Mouffetard, en encombrant malencontreusement la rue, Jérôme Crainquebille, affable marchand des quatre saisons, est interpellé par un agent de police et conduit au poste, injustement accusé d’avoir crié « Mort aux vaches ! ». Lorsqu’il reprend son travail après avoir été détenu pendant quinze jours, il est mis au ban par son voisinage. Esseulé, Crainquebille sombre dans le désespoir et l’alcoolisme. La vie qu’il avait en prison lui apparaît alors plus douce et ses tentatives pour y retourner resteront vaines. Il ne devra son salut qu’à l’affection d’un gosse du quartier.

Billy et ses copains, à nouveau fuyant la loi, se rendent à Sage Valley où Billy est nommé shérif. Le gang local de hors-la-loi est dirigé par Kansas Ed qui ressemble beaucoup à Billy. Ed capture Billy et change de vêtements avec lui, prévoit maintenant de diriger la ville en tant que shérif.

The movie tells about quotation gangs in Kerala. How youth get involved with all antisocial activities like Ganja mafia.

The Lord sends his archangel Raphael to earth to finish some unresolved matters. Raphael ends up in Amsterdam and gets entangled in local troubles, including womenemancipation, secularisation and the impending restructuring of the city center. The musical alludes to local, then topical issues. This musical was on the occasion of the seven hundredth anniversary of the city of Amsterdam, and loosely based on 'Gijsbrecht van Aemstel', the 17th-century history play by Joost van den Vondel.

In the yard of an Iranian village school stands in the shade of a tree a large stoneware jar from which all the pupils drink fresh water. On an unfortunate day, the jar starts leaking. The schoolmaster tries hard to get a new one but in vain. The only solution is to have it fixed...

With extraordinary access, BLAST exposes a world of risky, hardcore, scientific adventure. The story follows an international team of astrophysicists trying to launch a multi-million dollar telescope on a NASA high-altitude balloon. Their journey to discover thousands of early galaxies takes them from the Arctic to the Antarctic. Revealing frustrations, inevitable failures and ultimate triumph, BLAST puts a human face on the quest to answer our most basic question - How did we get here? (IMDb)

Join Thomas as he roars down the tracks with the most special delivery yet, the Lion of Sodor. Thomas' special delivery is not what he thinks it is - a real lion. When the other trains try to tell him that it's actually a statue, he is too excited to listen. Join Thomas as he learns the importance of listening to others in this lion hearted collection of tales from the tracks.