In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.

Écartée de sa famille, il ne lui restait que la soif de réussir. Après des années d'acharnement, Crystal a enfin tout ce qu'elle désire... sauf l'homme qu'elle aime par dessus tout...

The Rock et John Cena entrent en collision dans le face-à-face WrestleMania le plus attendu de l'histoire, un match épique qui définira à jamais l'héritage de ces icônes. The Deadman met tout son héritage dans une bataille avec Triple H à l'intérieur de la prison cauchemardesque qu'ils ont immortalisée, Hell In A Cell, avec The Heartbreak Kid Shawn Michaels comme arbitre spécial. Le champion de la WWE CM Punk affronte Chris Jericho dans le choc explosif des révolutionnaires qui déterminera quel homme est vraiment "le meilleur du monde".

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

La boite

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

The Yakimanka Center for Contemporary Art is one of the most important institutions of contemporary art in the 90s in Moscow. It was here that the first open platform for all forms of self-expression was created. New artists, gallery owners and curators appeared here, the main events of the artistic life of the last decade of the twentieth century took place.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

Une jeune femme vit tristement dans une petite ville de garnison avec un soldat. Petit à petit, gagnée par l'ennui, la tristesse, l'inaction totale, elle développe une relation avec les végétaux et se met à parler aux plantes.

Gertrude Lawrence rises to stage stardom at the cost of happiness.

Kim Marsden inherits a cattle station near Alice Springs after the death of her father. Kim becomes convinced her father was murdered. She sends for a legendary local bushman called the Sundowner, who was one of her father's best friends.

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Nina is a successful TV star, but her life changes when she is diagnosed with cancer. Facing a personal crisis, she has to confront her deepest fears.

A blind woman's husband is abducted. She gets him back.

A single man has worked most of his life in a supermarket. One night, he unexpectedly meets with his father, and the two are faced with the question of the reasons for their separation.

Men will be men.