Teo survives, isolated in a house constantly besieged by a horde of stray dogs. It seems destiny has no other plans, than keeping Theo there, until one day something obscure happens. Canis is a story about fears and how we can face them. A story about coming of age. A story of finding reasons to fight.

Set in a small suburban town, high school student Dylan becomes worried when his popular down-to-earth best friend starts getting followed incessantly by the odd girl out.

In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

Teru, Ako et Nobuo, sont les seuls survivants d’un accident du train et doivent s’organiser pour survivre dans l’obscurité et la chaleur.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

When the gang goes on safari, they encounter a variety of freaky, glowing demon animals.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Richard has lost what little sanity he had left, instead putting all emphasis on seeking out and brutally slaying any and every woman who crosses his path. However, this time he might have met his match as his deceased wife's sister, Maria, is hellbent on putting an end to his orgiastic rampage.

The film chronicles the rise and fall of a corrupt police force that Lee Rock becomes a part of.

Mathématicien, physicien, géomètre et astronome, l'Italien Galileo Galilei (1564-1642), dit Galilée, a bousculé les savoirs établis en prônant une vision du monde fondée sur l'observation. Il a dès lors remis en cause les grandes autorités de son temps, réfutant les théories d'Aristote, qui encore à l'époque faisaient référence, et s'attirant les foudres de certains de ses confrères, puis de l'Église catholique, au sein de laquelle on se divise à son propos. Commence alors une longue controverse, au cours de laquelle Galilée s'aliène ses plus fervents soutiens, tel le pape Urbain VIII. Finalement condamné pour hérésie pour avoir défendu l'héliocentrisme copernicien contre le sens littéral des Écritures, Galilée n'a été réhabilité qu'en 1992 par le pape Jean-Paul II.

La déconstruction des scènes et décors d'Avatar.

Strict and always dissatisfied grumbler Mr. Angel gets a voucher for summer recreation. He rejects it at first but he eventually decides to use it and spend 14 days in unionist hut Jezerka together with other merited co-workers.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

Orson Welles reads the poem especially for this film by Larry Jordan, which is dedicated to the late Wallace Berman, and is made possible by a grant from The National Endowment Of The Arts.