A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...

Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.

Carrol Barber, jeune auteur-compositeur vivant à Londres, revient à Los Angeles, sa ville natale, à l'occasion de Noël. Son agente, Susan Moore, lui a annoncé que le chanteur Eric Wood veut enregistrer certaines de ses chansons. Carrol ne se doute pas qu'il s'agit d'un stratagème de son père, le millionnaire Carl Barber, qui tient à ce que son fils revienne au bercail. Dans l'un de ses textes, Carrol parle de Los Angeles comme de la "ville des rencontres éphémères". Il va en faire l'expérience concrète à travers ses relations avec plusieurs femmes : Ann Goode, femme d'affaires, Nona Bruce, photographe, et Karen Hood, qui fuit une existence vide en passant des heures dans les salles de cinéma et dans les taxis...

Sur fond d'images d'archives et d'interviews d'experts, ce documentaire revient sur la carrière du chef d'orchestre Mantovani et de ses célèbres cordes en cascade.

Yuko is an innocent high school girl who has a crush on her gym teacher. She and her friends have a sleep-over party which develops into a sexual dare-game involving eels, and a lesbian orgy. Now sexually-awakened, Yuko decides to seduce her teacher, but is raped in an elevator before she meets her teacher.

A group of friends meet after some years apart and decide to go on a treasure hunt.

An unlucky Birthday boy must fight for his life against a masked psychopath.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

In a pub in Madrid's downtown, a group of workmates meets to celebrate a birthday party. There, the singular characters share their opinions about education, maternity and other matters about life. In the middle of that, Lucía tries to behave normal, but in her head, there is only one thing: She may be pregnant and if it's confirmed, she would be forced to face one of the most difficult decisions: became a mother or not. A story about maternity, friendship, and identity.

Join the spook-busting, case-cracking, snack-munching fun as Scooby-Doo and the Mystery, Inc. gang gear up for four of their most frightening adventures ever! Traveling the globe on their ongoing quest to trip up crooks (and chow down on munchies), Scooby-Doo, Shaggy, Daphne, Fred and Velma tangle with a supernatural assortment of eerie adversaries. Facing multiple monsters, ghouls galore and gobs of ghosts, our top-dog detective and those "meddling kids" will stop at nothing to get their ghoul as they confront SCOOBY-DOO'S CREEPIEST CAPERS!

Un étudiant calé en chimie utilise le Trioxen 5 pour concocter une nouvelle drogue. Cette dernière va alors circuler sur le campus, transformant les étudiants et étudiantes en cadavres mangeurs de cerveaux.

Experts set out to prove that female great white sharks rule the ocean.

This is a compilation of fun-filled episodes with everyone's favorite cat and mouse! Tom and Jerry: Magical Misadventures includes: Switchin' Kitten, Is There a Doctor in the Mouse?, Haunted Mouse, Of Feline Bondage, Medieval Menace, Abracadumb, Snow Brawl.

Ashley was dying to make a horror movie. Too bad she didn't live long enough to see it. The horror movie was never finished, but now you can witness the horrifying killing spree that was captured on the behind-the-scenes footage.

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

La retransmission historique en direct de Mary Martin en 1956 sous le nom de PETER PAN, est généralement considérée comme la performance définitive de cette comédie musicale bien-aimée. Seulement neuf jours après la fin de la première série de Broadway, les acteurs et l'équipe (sous la supervision du réalisateur Jerome Robbins) se sont réunis dans les grands studios de Brooklyn de la NBC pour présenter le spectacle en direct à la télévision. Décrivant l'énorme succès de cette télédiffusion, Cyril Ritchard (Captain Hook) a noté "... ce n'était pas seulement une performance télévisuelle, c'était une production de scène apportée aux caméras." Un an plus tard, en préparation de la deuxième retransmission en direct de PETER PAN, les mêmes acteurs se retrouvèrent pour plusieurs représentations au Ambassador Theatre de New York pour un public d'enfants invités. Cela a donné à la diffusion de 1956 la même qualité théâtrale que la première.