A young photographer's home is haunted by it's former residents.

Four women are waiting for the blue circle and a possible change of their lives.

Au tournant 1990 en Algérie, dans une atmosphère de fin d’époque marquée par la victoire des islamistes aux élections municipales, puis aux législatives interrompues de 1991, prélude à une décennie de violence particulièrement barbare, les Algériens vont faire l’expérience de l’islamisme radical, de sa volonté de régenter la vie publique comme privée et d’un quotidien d’attentats, d’assassinats, puis de massacres collectifs, qui feront 200.000 morts. La littérature et le cinéma se sont efforcés d’interroger et de témoigner de l’énorme trauma de cette période baptisée "décennie noire".

Teens in cabin get murdered by cult

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Kadhiravan, a businessman, desires a wife who should respect his parents. After seeing Kayalvizhi on TV, he meets her on the pretext of being a home contractor and slowly makes his way into her heart.

As night falls, an ethereal mist creeps over a forest cover as old as the world itself. The primeval howl of a wolf echoes across the mountains, followed by another and yet another wolf. Down in the valley, a wisent turns swiftly, a deer runs off a little and a beaver swims into its hiding place. Only a bear waits in anticipation of sponging off the prey of the wolf. This is the story about the rebirth of European wilderness, in which the wolf, the wisent, the bear and other rare animals live as freely as centuries ago.

In a few short decades humanity has completely upset the balance of the planet, created by more than four billion years of evolution. We are paying a high price, but it is too late to change this? Humanity has had ten years to reverse this trend. To realize the extent to which it has damaged the Earth, and to change its consumption patterns. Yann Arthus-Bertrand shows us pictures from more than fifty countries, laying the foundation stone for the building that we should all build together.

La légende de Sarila raconte l’histoire d’un voyage initiatique où trois jeunes Inuits partent à la recherche d’une terre promise dans le but de sauver leur clan de la famine. C’est aussi l’histoire d’une lutte à finir entre deux chamans, le jeune Markussi et le vieux Croolik qui sent son pouvoir menacé.

The masterpiece of Shino Sakuragi, who won the 149th Naoki Prize for "HOTEL ROYAL" in 2013, is now a motion picture. A lawyer burdened with an inexpiable sin, and an accused woman who seals her past and keeps it a secret. In Kushiro, Hokkaido, the pair who chose a faraway town as the terminal station of their lives encounters and develops a moving drama by starting new lives. Koichi Sato enters new territory his performance, while Tsubasa Honda plays a serious character which creates a new image for herself. Machiko Ono, Shidou Nakamura, Shigeru Izumiya and other talented cast members join in the film.

A good nurse ruins her career by covering up for her sister's careless mistake.

From her window, Siri Pårup can see the building opposite where the everyday heroes and heroines of this persistently intriguing film reside. The Swedish filmmaker has reconstructed some of these flats in a studio, using effects to make them blend in with the building’s real façade, in a brilliant and playful variation on everyday voyeurism.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

22-year old Teun has to move back home. His house-mates have organized a farewell dinner for him. What starts as a social gathering, emotions are running high soon.