If hugs are tangible why am I hugging the void

Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.

A worn-out, aging shearer who once rained king of the high country, gets on the gear to keep up his numbers. But when the drugs take over he must learn what it really means to be a man, before he loses so much more than his country pride -- MAN.

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

The film tells a story speaks of "Yusuf ", a plumbing Man, who is exposed to many pranks by his friends.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

Le légendaire chef amérindien refuse de se rendre paisiblement avec son peuple dans la réserve et déclenche une rébellion.

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

Deux récapitulatifs spéciaux qui se concentrent sur les matchs de l'équipe Urameshi lors du Dark Tournament et quatre volumes séparés centrés sur l'un des personnages principaux : Yusuke, Kurama, Hiei ou Kuwabara.

People est un film tourné en huis clos dans une maison atelier aux portes de Paris et met en scène une dizaine de personnages. Il repose sur un entrelacs de scènes de plaintes et de scènes de sexe. La maison est leur espace commun, mais la question de la propriété est distendue, ils ne l’habitent pas tous de la même façon. Au fur et mesure des séquences, nous ne retrouvons pas les mêmes personnages mais les mêmes relations d’interdépendance. Par l’alternance entre complainte et sexualité, communication physique et verbale sont mises au même niveau. Le film déconstruit alors, par sa structure répétitive, nos mythes relationnels.

The supermarket giant that rose high by taking prices low.

Groot rencontre un peuple miniature qui croit que l'énorme bébé arbre est le héros que ce petit peuple attendait depuis longtemps.

High school students Ksenya and Boris are in love but all the world is against them.

The beginning of the 30s of the last century. A leak of classified information was found at the Soviet shipbuilding plant. Arriving under the guise of a scientist, the legendary chekist Karotin begins to unravel the threads of the conspiracy of the fascist spy organization. He is helped by inexperienced but active local detectives. Mastering the basics of the counterintelligence, they fall into a situation the other one funnier.

Prisoners of Detention Satellite 3 plan an impossible escape.

Un siècle plus tard, après les événements du temple de l'Orchidée. Un moine bouddhiste et son disciple Fong voyagent vers un autre temple pour y livrer un Bouddha en or. Mais après quelques mésaventures avec des brigands sur le chemin, ils décident de s'arrêter un moment et de trouver refuge au temple de l'Orchidée. Mais pendant la nuit le grand moine flaire la présence de fantômes et décident alors de partir se balader en pleine forêt pour les chasser, en laissant à Fong la garde du Bouddha en or. Seulement un fantôme nommé Lotus réussit à rentrer dans le temple et à s'approcher de Fong pour le séduire...

Russia has a surfeit of overqualified graduates. Nastya Sokolova is one of them. Her career, if you can call it that, gave her a plethora of unexpected work experiences: from desk slave in banking to head bookkeeper of an illegal brothel. The film’s eight tableaus detail the various workplaces, colleagues and situations. To finish it off: deadpan commentary.

Nina is a successful TV star, but her life changes when she is diagnosed with cancer. Facing a personal crisis, she has to confront her deepest fears.