C’est en pleine campagne vietnamienne que se trouve Duong Son Quan, une taverne où les voyageurs vont passer du bon temps avant de rentrer en ville. Cette taverne est gérée par une très jolie jeune femme et ses tout aussi séduisantes serveuses, mais sous toutes ces charmantes courbes se cachent des assassins sans pitié pour les hommes d’affaires crapuleux et les membres corrompus du gouvernement. Un jour, alors qu’elles ont terminé leur travail, elles font la découverte d’une jeune femme ligotée dans l'un des coffres de leurs clients. Cette jeune orpheline ne vit que pour une chose : venger la mort de sa famille tuée par le tyrannique général qui règne sur la région. Il n’en faut pas plus pour convaincre les filles de la prendre avec elles et d’en faire un assassin sans merci qui s’attaquera au bourreau de sa famille.

Drama following the tensions and romantic crises among a group of friends over the course of a single wedding day.

Using rare archival footage and interviews with noted artists, philosophers, and scholars such as Huston Smith, this film examines the life and teachings of D.T. Suzuki, the celebrated Japanese religious philosopher who first brought Zen Buddhism to the West. This film explores Suzuki's travels in America, his teachings on satori (enlightenment) and other Buddhist concepts, his influence on Western art and psychology, and more.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères Film Festival which took place from 1965 to 1983. It was at that time the most important in France just after the glamorous Cannes Film Festival and a friendly place to discover young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax before they became a legend for the art-house film amateurs. Hyères was a vivid space for passionate debates, incredible polemics and above all surprising encounters. In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared in 1983, it is not only because of internal and political conflicts but also for an unfair competition with Cannes. The « Perspectives » section at Cannes, widely inspired by Hyères, was attracting those same young talents discovered there. My personal history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was in charge of the “Cinéma Différent” section.

Billy et ses copains, à nouveau fuyant la loi, se rendent à Sage Valley où Billy est nommé shérif. Le gang local de hors-la-loi est dirigé par Kansas Ed qui ressemble beaucoup à Billy. Ed capture Billy et change de vêtements avec lui, prévoit maintenant de diriger la ville en tant que shérif.

"A comic promotional mock documentary about a boy and his uncle who visit the Silverstone Racetrack during filming of the James Bond movie Thunderball (1965)."

À Paris, dans le quartier Mouffetard, en encombrant malencontreusement la rue, Jérôme Crainquebille, affable marchand des quatre saisons, est interpellé par un agent de police et conduit au poste, injustement accusé d’avoir crié « Mort aux vaches ! ». Lorsqu’il reprend son travail après avoir été détenu pendant quinze jours, il est mis au ban par son voisinage. Esseulé, Crainquebille sombre dans le désespoir et l’alcoolisme. La vie qu’il avait en prison lui apparaît alors plus douce et ses tentatives pour y retourner resteront vaines. Il ne devra son salut qu’à l’affection d’un gosse du quartier.

La timidité d’Arin le pousse vers le monde des rencontres en ligne. Il y rencontre Susan, une serveuse épuisée par son travail. De peur de devenir un de ces couples qui ne parlent plus de rien, Arin propose de noter sur un carnet leurs émotions et désirs de conversations.

The World at War: A Special Presentation - Secretary to Hitler

This is the planet we still know so little. We call it Earth but less than 1/3 is land, over 2/3 is water and we use that water as a dumping site for our waste and as if it's an inexhaustible "horn of plenty" for humans. Our most important ecosystem is on the verge of collapse unless we act now. At this very moment the main problem with the oceans is that they're getting emptier and emptier. If we don't do anything then we face one of the biggest disasters in history of mankind.

Pale petal and stem-like shapes counter punted rhythmically by an even paler "background" of truly ephemeral of truly ephemeral (almost invisible) shapes. Again, the foreground movement is clockwise and often "ribbed" as the film darkens into a blend of foreground/background and, eventually, a meld as of white hardened clots fretted by glyphs.

You are following the lives of a family who have chosen not to take the microchip implant but instead live a life with no home and consistently on the run from the one world government known as the F.A.T.H.E.R.

In the town of Utskor in the region of Bø, northern Norway, we find memories of a political past intertwining with domestic, familial moments during the midnight sun.

Two young women, Elizabeth and Taylor, travel to their father's summer home on a remote island for a vacation getaway. As they travel deeper into the island, a nightmare begins to unfold. An unmarked white van will not leave them be, as they begin to sink deeper into terror. It becomes clear to the women they are not welcome as a group of masked killers begin to torment, torture, and hack them to bits. What secrets does this island hold and what lengths will they go to preserve them?

Elvira hosts this humorous look at movie monsters and facts about the real animals on which they're based. Included: clips from films; and interviews with scientists and various showbiz types, including directors John Carpenter and John Landis, and actors Jeff Goldblum and Roy Scheider.