Childhood friends Vasu and Saravanan are thick as thieves but Vasu's newly-wed wife, Seema doesn't approve of Saravanan and wants her husband to break ties with him. So, Vasu tries to set up Saravanan with Aishwarya. But, can these friends really drift apart?

Bill Burr réunit ses amis humoristes les plus tapageurs pour une nuit tordante. De la pandémie de COVID-19 à Michael Jackson, aucun sujet ne sera épargné.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Cromwell is a town whose history is intertwined with that of a local legend; The Pumpkin Man. Most people don't believe the tales, but when Catherine Quinn discovers the missing piece of the legend, she and her friends will come face to face with the Demon of Fall... Kürbis.

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Depuis deux ans, l’ex‐agent / tueur à gages de la CIA Jason Bourne et sa compagne Marie ont réussi à tromper leurs poursuivants au prix d’une vigilance sans faille. Ce paisible village de Goa aurait dû être leur dernier refuge. Vain espoir. Deux ans plus tôt, Jason avait juré de se venger de quiconque le relancerait. Il tiendra parole.

The supermarket giant that rose high by taking prices low.

Documentary of the making of the sequel to the popular Schwarzenegger film, The Terminator.

A young writer embarks on a journey to find out more about the taxi business in Lagos by becoming a taxi driver, he meets a young lady along the way and becomes fond of her.

8mm film by Swiss artist Roman Signer.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

Martian women from Mars have sent an army of killer robots to take over planet Earth, and the only hope for mankind may be a Doomsday weapon built by a mysterious inventor in this throwback sci-fi entry with a double shot of 1950s retro kitch. As killer robots descend from the sky, a hapless police officer is abducted by a UFO and a young couple finds their romantic picnic rudely interrupted by the shiny metallic invaders. Though a doomsday weapon of unimaginable power may be mankind's only defense against the powerful invaders, it could also spell the end for the human race as we know it.

Data Field is the first in the trilogy of film essays focussing on Soviet and post-Soviet media technologies acting as media mythologies. The rituals, artefacts, and visuals of Soviet modernity, mapped onto a family history, become entry points into the role of technology in the constructions of the future.