A comical and heartwarming drama about a university lecturer on animal behavior who just loves all living creatures. Once he starts thinking about them, he becomes too absorbed to care about anything else! People think he is quite odd and eccentric! But gradually his attitude, free from restrictions of rigid common sense and social norms, changes the way of thinking of those around him. They can recall a time when they, too, were engrossed in something they loved.

Les aventures quotidiennes et amusantes d'un petit garçon, Boule, et de son inséparable cocker Bill... Joueurs, sympathiques, un peu gaffeurs mais jamais méchants, nos deux héros évoluent avec leurs amis, Pouf le meilleur ami de Boule, ou Caroline la petite tortue. Bien entendu, les parents du petit garçon roux sont là pour veiller à l'ordre, même s'ils sont assez crédules ! C'est qu'ils sont malins, Boule et Bill !!

Mannat is a beautiful young girl who hails from a progressive family that values love, care, and mutual respect. On the other hand, Murad belongs to a conservative family where his mother, the matriarch, wields significant influence over his life choices. Despite their starkly contrasting backgrounds, Mannat and Murad’s hearts find solace in each other’s presence, and they fall deeply in love. However, their families’ interference creates misunderstandings between Mannat and Murad, testing the strength of their bond. Will their families agree to their union? Will Mannat’s family, with their open-mindedness, find common ground with Murad’s conservative household? Can Mannat and Murad’s love for each other withstand the motives of their families, who seek to create further misunderstandings between them?

Oh Yeah! Cartoons was an American animation showcase that appeared on the Nickelodeon cable channel. Oh Yeah! was an animation project guided by Fred Seibert, former Creative Director of MTV Networks and President of Hanna-Barbera. Produced by Frederator Studios, it ran as part of Nickelodeon's Nicktoons lineup, and in its second season, was hosted by Kenan Thompson of All That and Kenan & Kel fame; Then later by Josh Server, from All That, for its third season. Bill Burnett composed the show's theme music. Oh Yeah! Cartoons was distributed by Nelvana outside of the United States. In terms of sheer volume, Oh Yeah! Cartoons remains TV's biggest animation development program ever. Giving several dozen filmmakers the opportunity to create nearly 100 seven-minute cartoons, the series eventually yielded three dedicated half-hour spin-offs: ⁕The Fairly OddParents ⁕ChalkZone ⁕My Life as a Teenage Robot Nickelodeon's Oh Yeah! half-hour featured in its first season, a total of 39 brand new seven-minute cartoons in 13 episodes, surpassing the number of new cartoons and characters on any other single network. In its full run, Oh Yeah! Cartoons featured and produced over 99 cartoons and 54 characters.

Strip-Tease a été créée par Jean Libon et Marco Lamensch. L'objectif des créateurs était de réaliser des documentaires d'un genre nouveau dans lesquels les commentateurs s'effaceraient pour laisser parler les protagonistes. L'émission aborde essentiellement des passages de la vie de tous les jours (repas de famille, séance de vaisselle, la vie d’une fermière). Le spectateur peut ainsi se reconnaître dans son intimité quotidienne : « Strip-tease : l'émission qui vous déshabille ». L'émission tire son nom du terme « strip-tease », également appelé « effeuillage », qui consiste à se déshabiller progressivement face à un public, en musique, évoquant ainsi l'attitude de sujets filmés, qui finissent par se dévoiler devant la caméra, laissant les spectateurs découvrir leur intimité...

A successful thirtysomething couple find themselves at a financial dead end; they are faced with an extreme lifestyle change to pay for their debts. The luxury lifestyle ends when they are forced to move into a rented apartment in the suburbs. But to their friends, they hold up a facade and explain it all with downshifting.

YouTuber Benjamin Cook explores modern sex in all its variety, interviewing members of the public and the cast of dramas Cucumber and Banana.

When relationships go bad and one partner becomes obsessive, the gruesome fact is that, sometimes, the victim can pay the ultimate price.

Ponderosa is a television series developed by Bonanza creator David Dortort for PAX-TV that ran for the 2001–2002 television season. Envisioned as a prequel to the long-running NBC series Bonanza, it had less gunfire, brawling and other traditional western elements than the original. Bonanza creator David Dortort approved PAX TV's decision to hire Beth Sullivan, creator and executive producer of Dr. Quinn: Medicine Woman to oversee scripts and executive produce, which some believe gave the series a softer edge. Ponderosa was canceled after one season, in part because of disappointing ratings and high production costs. Although Sullivan had hoped to film the series in and around Los Angeles, PAX decided to film in Australia to reduce costs. Series "show runner" Sullivan sustained severe injuries in a car crash only twelve days after the airing of the first season's last episode. The show should not be confused with Ponderosa, the title used for Bonanza reruns aired on NBC during the summer of 1972.

On Our Own is an American television series broadcast on CBS as part of their 1977-78 schedule. It featured Lynnie Greene as Maria Bonino and Bess Armstrong as Julia Peters, two employees in the Bedford Advertising Agency in New York who also share an apartment. Toni McBain was their boss, while April Baxter and Phil Goldstein were their coworkers. On Our Own was shot at CBS studios in Manhattan and edited at Unitel. The editor was Frank Herold. The show was filmed on location in New York in front of a live audience, which was somewhat unique for a show of its genre during the late 1970s, as most sitcoms were typically taped in Hollywood. The show aired from 9 October 1977 until 27 August 1978.

It’s always tough turning 40, but what better way to mark the occasion than a one-night stand with Shudder, the spookiest of streamers? It’s going to be the ultimate Hallow-anniversa-ween bash, and you don’t want to miss it! Hosted by the Mistress of the Dark herself and features a four-film marathon. Elvira, Mistress of the Dark (1988) House on Haunted Hill (1959) The City of the Dead (1960) Messiah of Evil (1973)

Un million de yens en faux billets sont ramassés par un sans-abri. Ils sont si parfaits qu'on ne peut les distinguer des vrais. Ces billets commencent à circuler en masse. Ils minent l'économie japonaise comme un virus. Qui en tire profit ? Une équipe d’enquêteurs s'infiltre dans les rouages d'une organisation secrète pour savoir qui tentent de détruire l'économie japonaise.

Asakura Tomoko a obtenu son MBA dans une université américaine et est journaliste débutante au service des informations locales d'un journal de Tokyo. Bien qu'elle soit douée pour déchiffrer les expressions, elle ne cherche pas vraiment à comprendre les sentiments des personnes qu'elle interviewe. En outre, elle n'a rien d'autre qu'une grande fierté mais elle est considérée comme une journaliste non qualifiée par son supérieur à cause de cela. Tomoko décide de réaliser un reportage sur les soins infirmiers à domicile en se basant sur les souvenirs de son grand-père. Cependant, elle est submergée par la dure réalité et tombe inopinément sur une série de décès inexpliqués de personnes âgées bénéficiant de tels soins.

James May's Big Ideas is a three-part British television miniseries in which James May, a journalist and self-acknowledged geek travels the globe in search of implementations for concepts widely considered science fiction, or his big ideas. The series is produced by the BBC and the Open University and began airing at 8pm on Sundays on 28 September 2008. The first episode documents his search for the ultimate form of personal transport, ranging from jetpacks to flying cars. In the second episode, May looks at bionics and robotics and if robots can exceed the boundaries of their programming. The third episode focuses on energy.